The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. and if so what are your opinions. shure ksm8/n; . And lets hope youre not positioned next to the drum kit! The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. Both mics have very similar specs and a similar size, weight and design. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Mic stands reduce any handling noise in the studio. Now is the perfect time to get the gear you want with simple, promotional financing. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Dynamic mics are particularly suited to live and stage use. Follow us. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Its one of those things that comes down to personal taste. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. PA Consulting. The Neumann KMS105 is another live handheld condenser mic. Reimagining beauty tools to make easy, confident makeup application possible for everyone, Creating nutritional intelligence to enable better food buying decisions, Helping to make the worlds best doctors accessible everywhere, Enabling cyclists to react to performance data in real-time and with minimal distraction, Improving operational efficiency in instrumentation, Developing sound-isolating earphones that musicians demand and consumers love, Delivering an extraordinary guest experience, Tower Point, The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. XLR cables are the only cables capable of carrying phantom power to the mic. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. All you need to know about wireless microphones. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. The user should not attempt to remove or replace this lining. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. However, the KSM9 has this covered. A perfect choice for precise, intimate live vocals. XLR are the standard connectors on all professional studio equipment. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. KOHN MUSIC STORE. The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. 2:11 Shure KSM8 Only Confused about setting up your guitar? Thats a tough one. MaonoCaster E2 (AME2) review - production audio interface for streamers. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. Theyre probably best-known for their affordable handheld dynamic stage microphones. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. What is the output level difference between Shures Beta 87A and SM58? Shure Audio Institute. More about the different types of microphones here. 965 seriously cuts through the muddiness very crisp high end. Q. Shure KSM9 is a professional on-stage condenser mic. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. They are just in completely different leagues. It may not display this or other websites correctly. Thank you for your request. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. Patent Notice: Patent Des. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. A Sweetwater Sales Engineer will get back to you shortly. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Not much help for the marginal types, though. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. Shure KSM9 Cardioid and Supercardioid Condenser Mic. It has a warm sound that is perfect for female vocals or mellow tracks. The views expressed are those of the contributors and not necessarily those of the publishers. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. I'm somewhat unfamiliar with the Sennheiser line of microphones. Visit our corporate site (opens in new tab). With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Follow Marcus Scott on social media This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. . Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Performance & security by Cloudflare. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. The Shure KSM9 is a great choice as a live mic. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). Learn More. With a decent sound system, the KSM9 is startlingly clear and detailed. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. Win a TB-03 and TR-06 from Roland. Review: Best Wireless Mics to date For pros & Noobs! Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. MusicRadar is part of Future plc, an international media group and leading digital publisher. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. 3:26 What We Heard Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. Shure are one of the industry leaders in vocal microphones. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. However, some singers will need more control over the way their voice sounds. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. These marks may be registered in other jurisdictions. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? 5:52 Thanks for Watching! This mic offers dynamic lows, balanced mids and sparkling highs. In my opinion, if budget allows, stretch to a KSM9. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . So having the benefits of that technology available on stage for the live-sound market is very appealing. Future Publishing Limited Quay House, The Ambury, Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Dualdyne capsule continues the ongoing evolution of microphone technology. The KSM8 really is impressive for a dynamic mic. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. DUAL DIAPHRAGM TECH. This helps to achievean extremely fast transient responseand make the sound more vivid. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Heres how it works. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. You may login with either your assigned username or your e-mail address. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Bath The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. Given the sensitivities of condenser mics, why would anyone risk using one on stage? . In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. You wont have the super resilience of a dynamic mic. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output. Another drawback of sensitive microphones is that they often have a low maximum SPL. The sound engineer will normally mute the mic from the mixing desk when needed. This website uses cookies to improve your experience. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability.
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